A group of six unlikely but resilient youngsters confront the trail of a colossal and dreadful paranormal evil that has infiltrated our existence from the farthest reaches of darkness. They have no choice but to devote their lives confronting it, experiencing terror upon terror in the struggle.
This outlines the narrative, in essence, of Stephen King’s iconic book It (arguably his finest; undeniable). It is also the plot of King’s son Joseph Hillstrom King’s recent horror doorstopper, in which a band of six summon the primordial, infinitely malicious dragon the Dragon King from the Long Dark to aid them in overcoming some baddies. As one might expect, their otherworldly invocation goes awry.
The author started his career going to great lengths to distance himself from his well-known dad, using the pseudonym he maintains to this day and eschewing in-person meetings with his agent (he possesses a strong similarity to his parent). Yet with this recent release, he leans into it. There are lines that intentionally mirror some of the senior author’s well-known (the famous Dark Tower introduction); a scene that evokes a signature King element (a battle of wits). In this epic story, Joe Hill takes pleasure in his lineage, and the audience revels alongside.
Returning to the group: most are scholars at the made-up this academic setting in this northeastern locale. First is Arthur, bookish and gifted, cracking ancient puzzles in his leisure hours; Colin, affluent, sharp, and inclined to bulldoze obstacles in his path; Donna and Donovan; the beautiful the lovely Allie. And there’s Gwen, who doesn’t study with them, but emerges as crucial of their circle as they toy, half believing, somewhat doubtful, in arcane arts.
The protagonist finds himself, for reasons we don’t need to go into, compelled to pilfer prized manuscripts from his cherished academic collection by a group of neighborhood thugs. This devastates his scholarly soul, particularly as he’s compelled to seize the library’s most valuable and chilling title: the diary of occultist the historical figure (put to death “for dealing with infernal entities in 1703”; the binding is made from his skin). The intrepid group examine the log, learn they can invoke what the occultist details as a armored demon” to aid our hero with his coercion issue – and devote the remaining story enduring the repercussions. This ancient entity will certainly eliminate those annoying regional antagonists, but they’ll have to choose a fresh offering every twelve months or fall prey to the beast. As Arthur later puts it: “You invoke terrible forces, all you get is further monstrosities.”
Moving through four decades, the author shifts with seamless grace between genres: as the allies endeavor to address the predicament they find themselves in by, through diverse methods, picking people who are obviously evil to sacrifice, or seeking means to slay the beast themselves, we move between page-turner to dark fantasy, black-ops torture to romance to fright. A standout transition was to a quest story, within the subterranean depths beneath this UK region, a section tinged by the Lord of the Rings author that was gloriously terrifying.
The novel features trolls – the classic variety and digital trolls, truly terrifying and expertly realized. The story includes mystic weapons and deceptions, pulse-pounding sequences of valor and ones of appalling malevolence, both human and extraterrestrial. It’s a tour de force: a frightening tale that is primarily a tribute to the human inventiveness, and to love and friendship. “We longed for a tale to embrace and {now we’ve got one|presently we possess it|currently we hold it,” says the wealthy student as the companions assemble around a surface, getting ready to invoke their dragon into being with the force of their minds.
As Hill puts it in his opening statement: “This is dragon territory”. Do not overlook this.