“Well, it’s rather brutal here. We’re advising all of our clients to commit their entire holdings into tinned provisions and hunting rifles.” This nugget of shrewd guidance comes from the Brain Gremlin – a lab-engineered, articulate, glasses-wearing member of the slick creature crowd that swarms Manhattan’s high-tech Clamp Tower skyscraper in director Joe Dante’s zany follow-up Gremlins 2: The New Batch. Superficially, it’s nothing more than an investment tip from one monster to another. However, curiously, it’s also surprisingly sturdy life advice. Seriously, listen to my reasoning.
When situations deteriorate, the worst thing you can do is approach matters with excessive gravity. The Brain Gremlin comprehends this. Actually, most of the toothy monsters that occupy Dante’s unrestrained 1990 movie (arguably his best) possess the same knowing, self-referential sense of humour regarding the blurry line separating the mundane and pure pandemonium. It’s a particular aspect of Gremlins 2: The New Batch that maintains my loyalty – and with the passage of time, it’s the underlying idea that strikes the deepest chord.
Of course, my connection with this movie wasn’t born on such an deeply thoughtful note. Growing up, we were limited to a few well-worn videocassettes at home. Included within that collection were Gremlins and its sequel, the latter housed in a thick former-rental sleeve almost certainly acquired from an off-brand video shop and boasting grimacing beasts on its knackered cover. I was immediately enamoured and these films wasted no time lodging themselves inside my small, malleable brain. From then on, they became an near-everyday part of my early years entertainment regimen.
Dante’s initial installment usually receives all the plaudits, thanks primarily due to its status as a partly frightening holiday classic – and to be fair, I’ve watched Gremlins more times than I can count. That said, its successor infrequently obtains the same level of high regard, which feels a travesty. As a kid, I’d invariably jump at the prospect to watch Gremlins 2. During sunny school summer breaks, I’d lock myself inside and play it. When I got my own TV-VHS combo unit, it stayed in constant rotation in my bedroom. With repetition, it became deeply rooted in my mindset. If my parents detected this preoccupation, they didn’t seem to mind.
As I grew, new understandings rewarded repeat viewings, amplifying the pleasure of watching diminutive verdant beasts gleefully trash a New York high-rise. I learned the future-focused real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was inspired directly by the eventual commander-in-chief Donald Trump, with his auburn-haired worker Marla (Haviland Morris) referencing his one-time partner Marla Maples. Thankfully, Clamp demonstrates more humanity than his real-life counterpart.
The “doomsday” video Clamp plays during peak-Gremlin chaos? I discovered it was modeled after a genuine “Doomsday” video created by the CNN boss Ted Turner as a contingency for the world really ended. I noticed how Dante made a special effort to film alternate cuts of a self-aware scene where Gremlins hijack the actual feature in progress. A version for theaters, a separate one for tape and broadcast, each offering a winking bit of self-referential entertainment sorcery before the term was even a thing.
While it was creature designer Rick Baker’s wonderfully grotesque creatures that caught my eye as a child, this deeper gold maintained my fascination as an adult. Eventually, I even spoke to Dante about it myself and he had no reservations informing me he made the movie with the specific aim of mocking those who loved its goofy-but-heartfelt predecessor and desired a sequel. “We were going to make fun of the fact you came to see it,” he gleefully confessed. This anarchic insubordination and determination to not take his sequel as solemnly as his Warner Bros bosses obviously desired, only increased my affection for it.
When I went through a sudden family bereavement not long ago, I was taken aback to discover that, during my most profound sorrow, all I wanted to do was sit and watch Gremlins 2: The New Batch. Strange, isn’t it? Maybe not. The soothing reminiscence it offered was needed to weaken my mind’s sadness sludge – but the insights it had given me as an adult were just as useful.
Like Gremlins tearing apart a genetics laboratory, there’s some things in life you just cannot manage. Dante understands this. The Brain Gremlin shares this wisdom. Sometimes, you have to follow their example: welcome the pandemonium, put everything you’ve got into canned food and shotguns and try not to take things too seriously.
It’s powerful existential guidance from a highly unexpected fountain – and it’s why Gremlins 2: The New Batch will forever remain my comfort movie.